PIONEER DJM-800/WYSXJ5 Owner's Manual

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Owner's Manual for PIONEER DJM-800/WYSXJ5, downloadable as a PDF file.

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CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
D3-4-2-1-1_Ru-A
D3-4-2-1-9a_Ru
Áëàãîäàðèì Âàñ çà ïîêóïêó èçäåëèÿ êîìïàíèè Pioneer.
Ïðî÷òèòå, ïîæàëóéñòà, âíèìàòåëüíî ýòó èíñòðóêöèþ, ÷òîáû çíàòü, êàê ïðàâèëüíî îáðàùàòüñÿ ñ äàííîé ìîäåëüþ. Ïîñëå ïðî÷òåíèÿ èíñòðóêöèè ïîëîæèòå
åå â íàäåæíîå ìåñòî, ïîñêîëüêó â áóäóùåì îíà ìîæåò âàì ïðèãîäèòüñÿ äëÿ ïîëó÷åíèÿ íåîáõîäèìûõ ñïðàâîê.
 íåêîòîðûõ ñòðàíàõ èëè ðåãèîíàõ ôîðìà ñåòåâîé âèëêè è ðîçåòêè ìîãóò îòëè÷àòüñÿ îò èçîáðàæåííûõ íà ïîÿñíèòåëüíûõ ðèñóíêàõ. Òåì íå ìåíåå,
ñïîñîá ïîäêëþ÷åíèÿ è èñïîëüçîâàíèÿ äàííîãî óñòðîéñòâà áóäåò îäèíàêîâûì.
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Ìåñòî óñòàíîâêè
Óñòàíàâëèâàéòå óñòðîéñòâî â õîðîøî âåíòèëèðóåìîì ìåñòå, ãäå îíî íå
áóäåò ïîäâåðãàòüñÿ âîçäåéñòâèþ âûñîêèõ òåìïåðàòóð è âëàæíîñòè.
÷ Íå óñòàíàâëèâàéòå óñòðîéñòâî â òàêèõ ìåñòàõ, ãäå íà íåãî áóäóò ïîïàäàòü
ïðÿìûå ñîëíå÷íûå ëó÷è, à òàêæå íå óñòàíàâëèâàéòå åãî îêîëî ïëèò è
ðàäèàòîðîâ îòîïëåíèÿ. Èçáûòî÷íûé íàãðåâ ìîæåò íåáëàãîïðèÿòíî ïîâëèÿòü íà
êîðïóñ è íà âíóòðåííèå êîìïîíåíòû óñòðîéñòâà. Óñòàíîâêà óñòðîéñòâà â
ñûðîì èëè çàïûëåííîì ìåñòå òàêæå ìîãóò ïðèâåñòè ê ïîëîìêå óñòðîéñòâà
èëè ê íåñ÷àñòíîìó ñëó÷àþ. (Èçáåãàéòå óñòàíîâêè óñòðîéñòâà âáëèçè ïëèòû,
ãäå íà íåãî ìîãóò âîçäåéñòâîâàòü ãàðü, ïàð è òåïëî îò ïëèòû.)
÷ Åñëè óñòðîéñòâî óñòàíàâëèâàåòñÿ âíóòðè íåñóùåãî êîðïóñà èëè â êàáèíêå äè-
äæåÿ, òî íå äîïóñêàéòå êàñàíèÿ óñòðîéñòâà ñî ñòåíàìè èëè ñ äðóãèì
îáîðóäîâàíèåì, ïîñêîëüêó ýòî óõóäøèò óñëîâèÿ âåíòèëÿöèè.
ÌÅÐÛ ÏÐÅÄÎÑÒÎÐÎÆÍÎÑÒÈ ÏÐÈ ÎÁÐÀÙÅÍÈÈ Ñ ÓÑÒÐÎÉÑÒÂÎÌ
Óõîä çà óñòðîéñòâîì
÷ ×òîáû ñòèðàòü ñ óñòðîéñòâà ïûëü è ãðÿçü, èñïîëüçóéòå ïîëèðîâî÷íóþ òêàíü.
÷ Åñëè ïîâåðõíîñòü óñòðîéñòâà ñèëüíî çàãðÿçíåíà, òî ïðîòðèòå åãî ìÿãêîé
òêàíüþ, ñìî÷åííîé êàêèì-ëèáî íåéòðàëüíûì ìîþùèì ñðåäñòâîì,
ðàçáàâëåííûì âîäîé â 5 ­ 6 ðàç, è õîðîøî îòæàòîé. Ïîñëå ýòîãî ïðîòðèòå
óñòðîéñòâî åùå ðàç ñóõîé òêàíüþ. Íå èñïîëüçóéòå âîñê äëÿ ìåáåëè èëè
÷èñòÿùèå ñðåäñòâà.
÷ Íèêîãäà íå íàíîñèòå ðàñòâîðèòåëè, áåíçèí, àýðîçîëüíûå èíñåêòèöèäû èëè
êàêèå-ëèáî äðóãèå õèìè÷åñêèå âåùåñòâà íà ñàìî óñòðîéñòâî è íå èñïîëüçóéòå
èõ âáëèçè íåãî, ïîñêîëüêó îíè ìîãóò ïðèâåñòè ê ïîð÷å ïîâåðõíîñòè.
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ÔÓÍÊÖÈÎÍÀËÜÍÛÅ ÎÑÎÁÅÍÍÎÑÒÈ
ÑÎÄÅÐÆÀÍÈÅ
ÏÐÎÂÅÐÊÀ ÍÀËÈ×Èß ÏÐÈÍÀÄËÅÆÍÎÑÒÅÉ
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1 Âûñîêîå êà÷åñòâî çâóêà
Àíàëîãîâûå ñèãíàëû ïåðåäàþòñÿ ïî ìàêñèìàëüíî êîðîòêèì öåïÿì è ïðåîáðàçóþòñÿ
â öèôðîâîé ôîðìàò ñ ÷àñòîòîé äèñêðåòèçàöèè 96 êÃö âûñîêîêà÷åñòâåííûì 24-
ðàçðÿäíûì àíàëîãî-öèôðîâûì ïðåîáðàçîâàòåëåì. Â ðåçóëüòàòå ýòîãî ñèãíàëû
ïîñòóïàþò íà êàñêàäû öèôðîâîãî ìèêøèðîâàíèÿ ñ íàèâûñøèì êà÷åñòâîì.
Ìèêøèðîâàíèå ïðîèçâîäèòñÿ 32-ðàçðÿäíûì ïðîöåññîðîì öèôðîâûõ ñèãíàëîâ,
ïîçâîëÿþùèì ïîëíîñòüþ óñòðàíèòü êàêèå-ëèáî ïîòåðè êà÷åñòâà. Èäåàëüíûé
óðîâåíü ôèëüòðàöèè îáåñïå÷èâàåò îïòèìàëüíûé çâóê äëÿ èãðû äè-äæåÿ.
Àïïàðàòóðà ðàçìåùåíà â æåñòêîì êîðïóñå îñíîâàíèÿ è îñíàùåíà
âûñîêîôóíêöèîíàëüíûì áëîêîì ïèòàíèÿ è äðóãèìè òåõíîëîãè÷åñêèìè
ðàçðàáîòêàìè äëÿ âûñîêîêà÷åñòâåííîãî âîñïðîèçâåäåíèÿ, èñïîëüçóþùèìèñÿ
òàêæå â DJM-1000, ÷òî ãàðàíòèðóåò ÷èñòûé è ìîùíûé êëóáíûé çâóê.
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2 Ýôôåêòû, ïðèäàþùèå çâóêó îêðàñêó
1) Ýôôåêò ãàðìîíèçàöèè ñèãíàëà
Âïåðâûå â äàííîé èíäóñòðèè, ïóëüò ïîääåðæèâàåò ýôôåêò "ãàðìîíèçàöèè
ñèãíàëà", êîòîðûé îïðåäåëÿåò ðåàëüíóþ òîíàëüíîñòü òðåêà è ïðîèçâîäèò
íåîáõîäèìóþ ïîäñòðîéêó èãðû äè-äæåÿ. Ýòà íîâàÿ ôóíêöèÿ îáåñïå÷èâàåò áîëåå
ïëàâíîå, áîëåå åñòåñòâåííîå ìèêøèðîâàíèå, ïî ñðàâíåíèþ ñ ïðåäûäóùèìè
ìîäåëÿìè, êîòîðûå ïðåäëàãàëè âîçìîæíîñòè ðàáîòû äè-äæåÿ òîëüêî ñ íàñòðîéêîé
òåìïà òðåêà.
2) Ìîäóëÿöèîííûé ýôôåêò
 êàæäûé êàíàë áûëè äîáàâëåíû ýôôåêòû "Filter" [Ôèëüòð], "Crush" [Äðîáëåíèå]
è "Sweep" [Êîëåáàíèå].
Ýòè ýôôåêòû îáåñïå÷èâàþò åùå áîëüøèå âîçìîæíîñòè â èãðå äè-äæåÿ, ïîçâîëÿÿ
ñîçäàâàòü ýôôåêòû áîëåå èíòóèòèâíî.
Êðîìå òîãî, êîìáèíàöèÿ ýòèõ ýôôåêòîâ ñ ðèòì-ýôôåêòàìè (beat effects)
ïîçâîëÿåò ïîëó÷èòü îêîëî 50 ðàçëè÷íûõ ýôôåêòîâ, äàâàÿ îãðîìíûé ïîòåíöèàë
äëÿ ñîçäàíèÿ ðåìèêñîâ è èãðû äè-äæåÿ.
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3
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3 Ðèòì-ýôôåêòû
Ðèòì-ýôôåêòû, ñòîëü ïîïóëÿðíûå äëÿ ïóëüòà DJM-600, ïîëó÷èëè çäåñü
äàëüíåéøåå ðàçâèòèå. Ýôôåêòû ìîæíî èñïîëüçîâàòü ïðèìåíèòåëüíî ê òåìïó
ìóçûêè BPM [Óäàðîâ (áèòîâ) â ìèíóòó] è, òåì ñàìûì, ïîëó÷àòü ðàçíîîáðàçíûå
çâóêè. Ê ýòèì ýôôåêòàì îòíîñÿòñÿ Delay [Çàäåðæêà], Echo [Ýõî], Reverse delay
[Ðåâåðñèðîâàííàÿ çàäåðæêà], Pan [Ïëàâàþùèé çâóê], Trance [Òðàíñ], Filter
[Ôèëüòð], Flanger [Èçãèá], Phaser [Ñäâèã ôàçû], Reverb [Ðåâåðáåðàöèÿ], Robot
[Ðîáîò], Chorus [Õîð], Roll [Ïîâòîð] è Reverse roll [Ðåâåðñèðîâàííûé ïîâòîð].
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4 Öèôðîâîé âõîä/âûõîä
Öèôðîâûå âõîäû ïîääåðæèâàþò ÷àñòîòó äèñêðåòèçàöèè 44,1/48/96 êÃö, ÷òî
ïîçâîëÿåò ïîäêëþ÷àòü ïóëüò ê öèôðîâûì êîìïîíåíòàì äè-äæåÿ áåç óõóäøåíèÿ
êà÷åñòâà ñèãíàëà.
Öèôðîâûå âûõîäû òàêæå ïîääåðæèâàþò ÷àñòîòû äèñêðåòèçàöèè 96 êÃö (24
ðàçðÿäà) è 48 êÃö (24 ðàçðÿäà), ïðåäîñòàâëÿÿ ìàêñèìàëüíîå óäîáñòâî äëÿ
íàðåçàíèÿ àóäèîòðåêîâ èëè äðóãèõ ïðîöåäóð, êîãäà òðåáóåòñÿ âûñîêîå êà÷åñòâî
çâóêà. (Ïîääåðæèâàåòñÿ òîëüêî ôîðìàò ëèíåéíîé ÐÑÌ).
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5 Âûõîä MIDI
Ôàêòè÷åñêè âñÿ ñëóæåáíàÿ èíôîðìàöèÿ íàñòðîåê ïóëüòà DJM-800 ìîæåò
âûâîäèòüñÿ â ôîðìàòå MIDI, ïîçâîëÿÿ ïðîèçâîäèòü êîíòðîëü âíåøíèõ
êîìïîíåíòîâ, ïîäêëþ÷åííûõ ñ èñïîëüçîâàíèåì MIDI èíòåðôåéñà.
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6 Ïðî÷èå ôóíêöèè
¶ Âîçìîæíîñòü ïîäêëþ÷åíèÿ óïðàâëÿþùåãî êàáåëÿ ê DJ CD-ïëååðó Pioneer,
êîòîðûé ïîçâîëÿåò ñèíõðîíèçèðîâàòü íà÷àëî âîñïðîèçâåäåíèÿ òðåêà ñ
ïåðåìåùåíèåì äâèæêà ôåéäåðà (çàïóñê CD-ïëååðà îò ôåéäåðà).
¶ Âñòðîåííûé 3-ïîëîñíûé ýêâàëàéçåð, îáåñïå÷èâàþùèé ðåãóëèðîâêó óðîâíÿ
êàæäîé ïîëîñû â ïðåäåëàõ îò +6 äÁ äî ­26 äÁ.
¶ Ôóíêöèÿ óäîáíîãî íàçíà÷åíèÿ ëþáûõ êàíàëîâ äëÿ ðàáîòû ñ êðîññôåéäåðîì.
¶ Ôóíêöèÿ Talk-over [Ïîä÷åðêèâàíèå ñèãíàëà îò ìèêðîôîíà], àâòîìàòè÷åñêè
óìåíüøàþùàÿ óðîâåíü ãðîìêîñòè çâóêà âîñïðîèçâåäåíèÿ òðåêà âî âðåìÿ
ââîäà ñèãíàëà îò ìèêðîôîíà.
¶ Ôóíêöèÿ âûáîðà òèïà ïåðåõîäíîé õàðàêòåðèñòèêè êàíàëüíîãî ôåéäåðà è
êðîññôåéäåðà.
¶ Ôóíêöèÿ îòêëþ÷åíèÿ ìèêðîôîíà, ïðèãëóøàþùàÿ âûõîä ìèêðîôîíà â êàáèíêó
äè-äæåÿ, òåì ñàìûì ïðåäîòâðàùàÿ âîçíèêíîâåíèå ïàðàçèòíîé îáðàòíîé
ñâÿçè.
¶ Âîçìîæíîñòü çàìåíû äâèæêîâîãî ðåãóëÿòîðà ãðîìêîñòè êàíàëüíîãî ôåéäåðà
îïöèîíàëüíûì ïîâîðîòíûì ðåãóëÿòîðîì (DJC-800RV).
ÌÅÐÛ ÏÐÅÄÎÑÒÎÐÎÆÍÎÑÒÈ ÏÐÈ
ÎÁÐÀÙÅÍÈÈ Ñ ÓÑÒÐÎÉÑÒÂÎÌ ................................................. 3
ÏÐÎÂÅÐÊÀ ÍÀËÈ×Èß ÏÐÈÍÀÄËÅÆÍÎÑÒÅÉ ............................... 4
ÔÓÍÊÖÈÎÍÀËÜÍÛÅ ÎÑÎÁÅÍÍÎÑÒÈ .......................................... 4
ÏÎÄÃÎÒÎÂÊÀ Ê ÈÑÏÎËÜÇÎÂÀÍÈÞ
ÏÎÄÊËÞ×ÅÍÈÅ ÏÓËÜÒÀ ............................................................ 5
ÊÎÌÌÓÒÀÖÈÎÍÍÀß ÏÀÍÅËÜ ............................................... 5
ÏÎÄÊËÞ×ÅÍÈÅ ÂÕÎÄΠ.................................................... 6
ÏÎÄÊËÞ×ÅÍÈÅ ÂÍÅØÍÈÕ ÝÔÔÅÊÒÎÐÎÂ,
ÂÛÕÎÄÍÛÅ ÐÀÇÚÅÌÛ ....................................................... 7
ÏÎÄÊËÞ×ÅÍÈÅ MIDI-ÊÎÌÏÎÍÅÍÒΠ................................. 7
ÏÎÄÊËÞ×ÅÍÈÅ ÌÈÊÐÎÔÎÍÀ È ÍÀÓØÍÈÊΠ.................... 8
ÏÎÄÊËÞ×ÅÍÈÅ ÑÅÒÅÂÎÃÎ ØÍÓÐÀ ..................................... 8
ÝËÅÌÅÍÒÛ ÏÓËÜÒÀ È ÈÕ ÔÓÍÊÖÈÈ ......................................... 9
ÐÀÁÎ×Àß ÏÀÍÅËÜ ............................................................... 9
ÑÅÊÖÈß ÄÈÑÏËÅß ........................................................... 12
ÎÏÅÐÀÖÈÈ
ÎÏÅÐÀÖÈÈ Ñ ÌÈÊØÅÐÎÌ ...................................................... 13
ÎÑÍÎÂÍÛÅ ÎÏÅÐÀÖÈÈ .................................................... 13
ÇÀÏÓÑÊ ÏËÅÅÐÀ ÎÒ ÔÅÉÄÅÐÀ .......................................... 14
ÝÔÔÅÊÒÛ .............................................................................. 15
ÒÈÏÛ ÐÈÒÌ-ÝÔÔÅÊÒÎÂ .................................................. 15
ÑÎÇÄÀÍÈÅ ÐÈÒÌ-ÝÔÔÅÊÒÎÂ ........................................... 17
ÎÏÈÑÀÍÈÅ ÝÔÔÅÊÒΠÎÊÐÀØÅÍÍÎÃÎ ÇÂÓ×ÀÍÈß .......... 18
ÈÑÏÎËÜÇÎÂÀÍÈÅ ÝÔÔÅÊÒÎÂ
ÎÊÐÀØÅÍÍÎÃÎ ÇÂÓ×ÀÍÈß ............................................... 18
ÏÀÐÀÌÅÒÐÛ ÝÔÔÅÊÒÎÂ ................................................... 19
ÍÀÑÒÐÎÉÊÀ MIDI-ÈÍÒÅÐÔÅÉÑÀ .............................................. 20
ÑÈÍÕÐÎÍÈÇÀÖÈß ÀÓÄÈÎÑÈÃÍÀËÎÂ Ñ ÂÍÅØÍÈÌ
ÑÅÊÂÅÍÑÎÐÎÌ È ÈÑÏÎËÜÇÎÂÀÍÈÅ ÈÍÔÎÐÌÀÖÈÈ
Ñ ÏÓËÜÒÀ DJM-800 ÄËß ÓÏÐÀÂËÅÍÈß ÂÍÅØÍÈÌ
ÑÅÊÂÅÍÑÎÐÎÌ ................................................................. 20
MIDI-ÑÎÎÁÙÅÍÈß ............................................................ 20
ÈÇÌÅÍÅÍÈÅ ÏÐÎÃÐÀÌÌÛ ............................................... 21
ÑÎÕÐÀÍÅÍÈÅ ÏÀÐÀÌÅÒÐÎÂ .............................................. 21
ÄÎÏÎËÍÅÍÈÅ
ÓÑÒÐÀÍÅÍÈÅ ÍÅÏÎËÀÄÎÊ ....................................................... 22
ÒÅÕÍÈ×ÅÑÊÈÅ ÕÀÐÀÊÒÅÐÈÑÒÈÊÈ ............................................ 23
ÁËÎÊ-ÑÕÅÌÀ ÏÓËÜÒÀ .............................................................. 24
Èíñòðóêöèÿ ïî ýêñïëóàòàöèè ................................................................ 1
Ñåòåâîé øíóð ...................................................................................... 1
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ÊÎÌÌÓÒÀÖÈÎÍÍÀß ÏÀÍÅËÜ
1. Êíîïêà POWER [Ïèòàíèå]
2. Âûõîäû MASTER 2 [Ãëàâíûé âûõîä 2]
Íåñèììåòðè÷íûé âûõîä, ðàçúåì RCA.
3. Âûõîäû íà çàïèñü (REC)
Ðàçúåìû RCA äëÿ âûâîäà ñèãíàëà íà çàïèñü.
4. Âõîäû PHONO [Çâóêîñíèìàòåëü]
Âõîäíûå ðàçúåìû RCA, ïðåäíàçíà÷åííûå äëÿ ïîäêëþ÷åíèÿ çâóêîñíèìàòåëÿ (MM
[ñ ïîäâèæíûì ìàãíèòîì]).
Íå èñïîëüçîâàòü äëÿ ïîäà÷è ñèãíàëîâ ëèíåéíîãî óðîâíÿ.
5. Âõîäû LINE [Ëèíåéíûé âõîä]
Âõîäíûå ðàçúåìû RCA, ïðåäíàçíà÷åííûå äëÿ ïîäà÷è ñèãíàëîâ ëèíåéíîãî óðîâíÿ.
Èñïîëüçóþòñÿ äëÿ ïîäêëþ÷åíèÿ êàññåòíûõ äåê èëè äðóãîãî îáîðóäîâàíèÿ ñ
ëèíåéíûì âûõîäîì.
6. Çàçåìëÿþùèå êëåììû (SIGNAL GND)
Èñïîëüçóþòñÿ äëÿ ïîäêëþ÷åíèÿ ïðîâîäîâ çàçåìëåíèÿ ïðîèãðûâàòåëåé âèíèëîâûõ
ïëàñòèíîê ("âåðòóøåê").  êà÷åñòâå çàùèòíîãî çàçåìëåíèÿ èõ èñïîëüçîâàòü íåëüçÿ.
7. Âõîäû CD [CD-ïëååð]
Âõîäíûå ðàçúåìû RCA, ïðåäíàçíà÷åííûå äëÿ ïîäà÷è ñèãíàëîâ ëèíåéíîãî óðîâíÿ.
Èñïîëüçóþòñÿ äëÿ ïîäêëþ÷åíèÿ DJ CD-ïëååðà èëè äðóãèõ êîìïîíåíòîâ ñ
ëèíåéíûìè âûõîäàìè.
8. Ðàçúåìû DIGITAL IN [Öèôðîâîé âõîä]
Öèôðîâûå êîàêñèàëüíûå ðàçúåìû RCA.
Èñïîëüçóþòñÿ äëÿ ïîäêëþ÷åíèÿ DJ CD-ïëååðà èëè äðóãîãî îáîðóäîâàíèÿ ñ
öèôðîâûì êîàêñèàëüíûì âûõîäîì.
÷ Çâóê ìîæåò âðåìåííî ïðåðûâàòüñÿ ïðè èçìåíåíèè ÷àñòîòû äèñêðåòèçàöèè
âûõîäíîãî ñèãíàëà.
9. Ðàçúåì MIDI OUT [Âûõîä MIDI-ñèãíàëà]
Âûõîäíîé ðàçúåì òèïà DIN.
Èñïîëüçóåòñÿ äëÿ ïîäêëþ÷åíèÿ äðóãèõ MIDI-êîìïîíåíòîâ (ñì. ñòðàíèöó 20).
10. Ðàçúåì DIGITAL OUT [Öèôðîâîé âûõîä]
Öèôðîâîé êîàêñèàëüíûé âûõîä òèïà RCA.
Ãëàâíûé öèôðîâîé àóäèîâûõîä.
11. Ïåðåêëþ÷àòåëü ÷àñòîòû äèñêðåòèçàöèè (48 êÃö/96 êÃö)
Èñïîëüçóåòñÿ äëÿ óñòàíîâêè ÷àñòîòû äèñêðåòèçàöèè öèôðîâîãî âûõîäà 96 êÃö/24
ðàçðÿäà èëè 48 êÃö/24 ðàçðÿäà.
÷ Âûêëþ÷èòå ïèòàíèå ïåðåä èçìåíåíèåì ïîëîæåíèÿ ýòîãî ïåðåêëþ÷àòåëÿ.
12. Ïåðåêëþ÷àòåëè âõîäîâ DIGITAL/CD [Öèôðîâîé/CD]
Èñïîëüçóåòñÿ äëÿ âûáîðà àíàëîãîâîãî âõîäà (CD) èëè öèôðîâîãî âõîäà (DIGITAL
IN).
13. Ðàçúåìû RETURN [Âîçâðàò]
Âõîäû òèïà Phone äèàìåòðîì 6,3 ìì.
Èñïîëüçóþòñÿ äëÿ ïîäêëþ÷åíèÿ âûõîäîâ âíåøíèõ ýôôåêòîðîâ èëè àíàëîãè÷íûõ
óñòðîéñòâ.
Åñëè ïîäêëþ÷åí òîëüêî ëåâûé êàíàë (L), òî îí îäíîâðåìåííî ïîäàåòñÿ è íà
ïðàâûé êàíàë.
14. Âûõîäû SEND [Íàïðàâèòü]
Âûõîäû òèïà Phone äèàìåòðîì 6,3 ìì.
Èñïîëüçóþòñÿ äëÿ ïîäêëþ÷åíèÿ âõîäîâ âíåøíèõ ýôôåêòîðîâ èëè àíàëîãè÷íûõ
êîìïîíåíòîâ. Åñëè ïîäêëþ÷åí òîëüêî ëåâûé êàíàë (L), òî âûâîäèòñÿ
ìîíîôîíè÷åñêèé ñèãíàë L+R (ëåâûé + ïðàâûé êàíàëû).
15. Ðàçúåìû CONTROL [Óïðàâëåíèå]
Ìàëîãàáàðèòíûé ðàçúåì äèàìåòðîì 3,5 ìì. Èñïîëüçóåòñÿ äëÿ ïîäêëþ÷åíèÿ ê
âõîäó óïðàâëåíèÿ DJ CD-ïëååðà Pioneer.
Åñëè ýòîò ðàçúåì ïîäêëþ÷åí, òî ôåéäåð ïóëüòà DJM-800 ìîæíî èñïîëüçîâàòü äëÿ
îïåðàöèé ïóñêà/îñòàíîâêè DJ CD-ïëååðà.
16. Êîíòðîëüíûå âûõîäû BOOTH [Êàáèíêà äè-äæåÿ]
Ðàçúåìû, îáåñïå÷èâàþùèå âûõîä êîíòðîëüíîãî ñèãíàëà, òèïà Phone äèàìåòðîì
6,3 ìì.
Óðîâåíü ñèãíàëà íà ýòèõ ðàçúåìàõ óñòàíàâëèâàåòñÿ îòäåëüíî ðåãóëÿòîðîì BOOTH
MONITOR [Êîíòðîëüíûé ñèãíàë (â êàáèíêó äè-äæåÿ)], íåçàâèñèìî îò ïîëîæåíèÿ
ðåãóëÿòîðà MASTER LEVEL [Óðîâåíü ãëàâíîãî ñèãíàëà]. (Ýòè ðàçúåìû TRS òèïà,
ïîýòîìó ïîääåðæèâàþò ñèììåòðè÷íûå è íåñèììåòðè÷íûå âûõîäû).
17. Ïåðåêëþ÷àòåëè âõîäîâ DIGITAL/LINE [Öèôðîâîé/Ëèíåéíûé]
Èñïîëüçóþòñÿ äëÿ âûáîðà àíàëîãîâîãî (LINE) èëè öèôðîâîãî (DIGITAL IN) âõîäà.
18. Ïåðåêëþ÷àòåëü îñëàáëåíèÿ óðîâíÿ ãëàâíîãî âûõîäà
(MASTER ATT)
Èñïîëüçóåòñÿ äëÿ îñëàáëåíèÿ óðîâíåé ãëàâíûõ âûõîäîâ 1 è 2.
Îáåñïå÷èâàåòñÿ îñëàáëåíèå 0 äÁ, ­3 äÁ, ­6 äÁ è ­12 äÁ.
19. Ïåðåêëþ÷àòåëü ñèãíàëà ìèêðîôîíà (MIC SIGNAL ADD/CUT
[Äîáàâëåíèå/Îòêëþ÷åíèå ñèãíàëà ìèêðîôîíà])
Ïðè óñòàíîâêå ýòîãî ïåðåêëþ÷àòåëÿ â ïîëîæåíèå [ADD] çâóêè îò ìèêðîôîíîâ 1 è
2 âûâîäÿòñÿ íà êîíòðîëüíûå âûõîäû BOOTH. Ïðè óñòàíîâêå ïåðåêëþ÷àòåëÿ â
ïîëîæåíèå [CUT] çâóêè îò ìèêðîôîíîâ 1 è 2 íå âûâîäÿòñÿ íà êîíòðîëüíûå
âûõîäû BOOTH.
20. Ðàçúåìû MASTER 1 [Ãëàâíûé âûõîä 1]
Ñèììåòðè÷íûé âûõîä òèïà XLR (øòûðüêîâûé).
÷ Ïðè èñïîëüçîâàíèè øíóðà ñî øòåêåðîì òèïà RCA ïîëüçîâàòåëÿì
ðåêîìåíäóåòñÿ ïîäêëþ÷àòü øòåêåð íåïîñðåäñòâåííî ê ðàçúåìó MASTER 2
[Ãëàâíûé âûõîä 2], íå èñïîëüçóÿ ïåðåõîäíèê XLR/RCA.
21. Ñåòåâîé ðàçúåì (AC IN)
Âñòàâüòå â ýòîò ðàçúåì ïðèëàãàåìûé ñåòåâîé øíóð è ïîäêëþ÷èòå åãî ê ðîçåòêå ñ
ñîîòâåòñòâóþùèì íàïðÿæåíèåì.
ÏÎÄÊËÞ×ÅÍÈÅ ÏÓËÜÒÀ
ÏÎÄÊËÞ×ÅÍÈÅ ÏÓËÜÒÀ (ÊÎÌÌÓÒÀÖÈÎÍÍÀß ÏÀÍÅËÜ)
POWER
MASTER 2
REC
RL
R
(TRS)
L
MASTER 1
L
R
PHONO
CONTROL
DIGITAL
MIC SIGNAL
CUT
ADD
SIGNAL GND
SIGNAL GND
LINE
DIGITAL
LINE
DIGITAL
CD
DIGITAL
CD
LINE
L
R
AC IN
OFF
ON
1GND
3COLD
MASTER ATT
2HOT
PHONO
CONTROL
BOOTH
R
L(MONO)
SEND
R
L(MONO)
RETURN
LINE
L
R
PHONO
CONTROL
CD
L
R
LINE
CONTROL
DIGITAL OUT
MIDI OUT
fs (Hz)
48 k
96 k
CD
L
R
-12dB
-6dB
-3dB
0dB
DIGITAL IN
1
2
3
4
5
6
8
9
10
11
13
12
14
15
16
17
18
19
20
21
7

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