PIONEER EFX-500/WYS5 Owner's Manual

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Owner's Manual for PIONEER EFX-500/WYS5, downloadable as a PDF file.

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1
EFX-500
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1
EFX-500
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2
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
D3-4-2-1-1_Ru-A
D3-4-2-1-9a_Ru
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5 . ,
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BS1362.
ASTA
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Áëàãîäàðèì Âàñ çà ïîêóïêó èçäåëèÿ êîìïàíèè Pioneer.
Ïðî÷òèòå, ïîæàëóéñòà, âíèìàòåëüíî ýòó èíñòðóêöèþ, ÷òîáû çíàòü, êàê ïðàâèëüíî îáðàùàòüñÿ ñ äàííîé ìîäåëüþ. Ïîñëå ïðî÷òåíèÿ èíñòðóêöèè ïîëîæèòå åå â íàäåæíîå
ìåñòî, ïîñêîëüêó â áóäóùåì îíà ìîæåò âàì ïðèãîäèòüñÿ äëÿ ïîëó÷åíèÿ íåîáõîäèìûõ ñïðàâîê.
 íåêîòîðûõ ñòðàíàõ èëè ðåãèîíàõ ôîðìà ñåòåâîé âèëêè è ðîçåòêè ìîãóò îòëè÷àòüñÿ îò èçîáðàæåííûõ íà ïîÿñíèòåëüíûõ ðèñóíêàõ. Òåì íå ìåíåå, ñïîñîá ïîäêëþ÷åíèÿ
è èñïîëüçîâàíèÿ äàííîãî óñòðîéñòâà áóäåò îäèíàêîâûì.
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3
ÔÓÍÊÖÈÎÍÀËÜÍÛÅ ÂÎÇÌÎÆÍÎÑÒÈ
7
7
7
7
7 Ôóíêöèÿ òðåõïîëîñíîãî òàêòîâîãî
ýôôåêòîðà
Õîðîøî çàðåêîìåíäîâàâøèé ñåáÿ àâòîìàòè÷åñêèé ñ÷åò÷èê ÂÐÌ/
òàêòîâûé ýôôåêò áûë çíà÷èòåëüíî óñîâåðøåíñòâîâàí â DJM-500.
Òåïåðü ýôôåêòû ìîãóò íàêëàäûâàòüñÿ íà çâóê òîëüêî â âûáðàííîì
äèàïàçîíå è íàñòðàèâàòüñÿ â ñîîòâåòñòâèè ñ òåìïîì (ÂÐÌ)
êîìïîçèöèè. Ýòî ïðèâåëî ê çíà÷èòåëüíîìó óâåëè÷åíèþ
âûðàçèòåëüíîñòè ïî ñðàâíåíèþ ñ ýôôåêòîðîì ïðåäûäóùåé ìîäåëè,
êîòîðûé ðàáîòàë ïî âñåìó ÷àñòîòíîìó äèàïàçîíó.
7
7
7
7
7 Ôóíêöèÿ öèôðîâîé íàñòðîéêè ïðåðûâàíèÿ
çâóêà
Öèôðîâîé ðåãóëÿòîð ïðåðûâàíèÿ çâóêà ïîçâîëÿåò óïðàâëÿòü çâóêîâûìè
ýôôåêòàìè â ðåàëüíîì âðåìåíè. Âîñåìü ñåêóíä ðàáîòû ðåãóëÿòîðà
ñîõðàíÿþòñÿ â ïàìÿòè, ÷òî ïîçâîëÿåò îñóùåñòâëÿòü ïîâòîðíîå
âîñïðîèçâåäåíèå. Âàì ïðåäîñòàâëÿþòñÿ 25 ýôôåêòîâ, âêëþ÷àÿ
òàêòîâûé ýôôåêò.
7
7
7
7
7 Âûñîêîïðîèçâîäèòåëüíàÿ ôóíêöèÿ
òðåõïîëîñíîãî èçîëÿòîðà
(Ôèëüòð ÷åòâåðòíîãî ïîðÿäêà (­24 äÁ/îêò))
Âû ìîæåòå íàñòðàèâàòü óðîâåíü â äèàïàçîíå îò +6 äÁ äî ­
, à
ðàçäåëåíèå ­ äî ­24 äÁ/îêò äëÿ êàæäîãî äèàïàçîíà, ÷òî îáåñïå÷èâàåò
òî÷íîå âîñïðîèçâåäåíèå çâóêà.
7
7
7
7
7 Îòîáðàæåíèå ïèêîâîãî óðîâíÿ âõîäíîãî
ñèãíàëà è óðîâíÿ âûõîäíîãî ñèãíàëà
ýôôåêòîâ
Òàê êàê Âû ìîæåòå âèçóàëüíî íàáëþäàòü óðîâåíü âõîäíîãî ñèãíàëà è
óðîâåíü âûõîäíîãî ñèãíàëà ýôôåêòîâ, òî÷íàÿ íàñòðîéêà óðîâíÿ íå
îòíèìàåò ëèøíåãî âðåìåíè.
7
7
7
7
7 Ôóíêöèÿ âõîäà/âûõîäà MIDI
Âíåøíèå ñèãíàëû MIDI äåëàþò âîçìîæíîé ñèíõðîíèçàöèþ òàêòîâîãî
ýôôåêòîðà è ïðåîáðàçîâàíèå çíà÷åíèé ÂÐÌ, êîòîðûå áûëè íàñòðîåíû
âðó÷íóþ èëè èçìåðåíû àâòîìàòè÷åñêè, â ñîîòâåòñòâèè ñ òàêòîâûìè
ñèãíàëàìè MIDI äëÿ óïðàâëåíèÿ âíåøíèìè ñèíòåçàòîðàìè è ïðî÷èìè
ïîäîáíûìè óñòðîéñòâàìè.
7
7
7
7
7 Êîíñòðóêöèÿ, îáåñïå÷èâàþùàÿ âûñîêîå
êà÷åñòâî çâóêà
Ýôôåêòîð èñïîëüçóåò 20-áèòíîå àíàëîãî/öèôðîâîå è öèôðî/àíàëîãîâîå
ïðåîáðàçîâàíèå (äèñêðåòèçàöèÿ 48 êÃö) è 24-áèòíûé DSP.
ÑÎÄÅÐÆÀÍÈÅ
ÏÅÐÅÄ ÍÀ×ÀËÎÌ ÝÊÑÏËÓÀÒÀÖÈÈ
ÔÓÍÊÖÈÎÍÀËÜÍÛÅ ÂÎÇÌÎÆÍÎÑÒÈ ........................................... 3
ÊÐÀÒÊÎÅ ÐÓÊÎÂÎÄÑÒÂÎ ÏÎ ÝÊÑÏËÓÀÒÀÖÈÈ .............................. 4
ÇÂÓÊÎÂÛÅ ÝÔÔÅÊÒÛ ................................................................. 6
ÏÎÄÊËÞ×ÅÍÈß ........................................................................... 8
ÎÐÃÀÍÛ ÓÏÐÀÂËÅÍÈß È ÈÍÄÈÊÀÖÈÈ ...................................... 10
ÝÊÑÏËÓÀÒÀÖÈß ........................................................... 12
ÍÀÑÒÐÎÉÊÀ ÓÐÎÂÍß ÂÕÎÄÍÎÃÎ ÑÈÃÍÀËÀ ................................ 12
ÍÀÑÒÐÎÉÊÀ ÓÐÎÂÍß ÂÛÂÎÄÀ ÝÔÔÅÊÒÎÂ ................................ 12
ÏÐÎÑËÓØÈÂÀÍÈÅ ÇÂÓÊÀ ×ÅÐÅÇ ÍÀÓØÍÈÊÈ ............................ 13
ÓÑÒÐÎÉÑÒÂÎ ÐÀÇÂßÇÊÈ ........................................................... 13
ÒÀÊÒÎÂÛÉ ÝÔÔÅÊÒ .................................................................. 14
ÖÈÔÐÎÂÎÉ ÏÐÅÐÛÂÀÒÅËÜ ÇÂÓÊÀ ............................................. 16
ÑÎÕÐÀÍÅÍÈÅ ÝÔÔÅÊÒÎÂ Â ÏÀÌßÒÈ ........................................ 17
ÍÀÑÒÐÎÉÊÈ MIDI ...................................................................... 18
ÓÑÒÐÀÍÅÍÈÅ ÍÅÏÎËÀÄÎÊ È ÒÅÕÍÈ×ÅÑÊÈÅ
ÕÀÐÀÊÒÅÐÈÑÒÈÊÈ
ÓÑÒÐÀÍÅÍÈÅ ÍÅÏÎËÀÄÎÊ ......................................................... 19
ÒÅÕÍÈ×ÅÑÊÈÅ ÕÀÐÀÊÒÅÐÈÑÒÈÊÈ ............................................... 19
ÑÒÐÓÊÒÓÐÍÀß ÑÕÅÌÀ
ÂÛÕÎÄ
ÍÀÓØÍÈÊÈ
ÂÕÎÄ
ÓÑÒÐÎÉ-
ÑÒÂÎ
ÐÀÇÂßÇ-
ÊÈ
ÒÀÊÒÎ-
ÂÛÉ
ÝÔÔÅÊÒ
ÖÈÔÐÎÂÎÉ
ÐÅÃÓËßÒÎÐ
ÏÐÅÐÛ-
ÂÀÍÈß
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4
ÈÑÏÎËÜÇÎÂÀÍÈÅ ÓÑÒÐÎÉÑÒÂÀ ÐÀÇÂßÇÊÈ
1. Âîñïîëüçóéòåñü òðåìÿ ðåãóëÿòîðàìè, LOW, MID è HI äëÿ íàñòðîéêè ñîîòâåòñòâóþùèõ óðîâíåé.
(Ïðè óñòàíîâêå çíà÷åíèÿ ­
çâóê íå âûâîäèòñÿ.)
2. Ïîòÿíèòå ðû÷àã ISOLATOR íà ñåáÿ (ïîëîæåíèå ON) äëÿ âêëþ÷åíèÿ ôóíêöèè; îòïóñòèòå åãî è
âåðíèòå â öåíòðàëüíîå ïîëîæåíèå (ïîëîæåíèå OFF). Â öåíòðàëüíîì ïîëîæåíèè (ïîëîæåíèå
OFF) âûâîäèòñÿ ñèãíàë èñõîäíîãî çâóêà íåçàâèñèìî îò ïîëîæåíèÿ ðåãóëÿòîðà. Íàæìèòå íà
ðû÷àã îò ñåáÿ äëÿ åãî ôèêñàöèè, ÷òîáû óñòðîéñòâî ðàçâÿçêè ðàáîòàëî è ïîñëå òîãî, êàê ðû÷àã
áóäåò îòïóùåí.
ÈÑÏÎËÜÇÎÂÀÍÈÅ ÒÀÊÒÎÂÛÕ ÝÔÔÅÊÒÎÂ
1. Âûáåðèòå ðåæèì èçìåðåíèÿ ÂÐÌ.
Íàæìèòå êíîïêó BPM MODE äëÿ òîãî, ÷òîáû íà ïàíåëè
èíäèêàòîðîâ çàãîðåëñÿ ñîîòâåòñòâóþùèé èíäèêàòîð
(AUTO, MIDI èëè ÒÀÐ).
2. Âûáåðèòå òèï ýôôåêòà.
Íàæìèòå êíîïêó DELAY, ECHO, PAN, FLANGER èëè TRANS,
è íàæàòàÿ êíîïêà íà÷íåò ìèãàòü.
3. Âûáåðèòå ÷àñòîòó.
Íàæìèòå êíîïêó, ñîîòâåòñòâóþùóþ ÷àñòîòå (LOW, MID
èëè HI), íà êîòîðóþ Âû æåëàåòå íàêëàäûâàòü òàêòîâûé
ýôôåêò, è çàãîðèòñÿ ñîîòâåòñòâóþùèé èíäèêàòîð.
4. Âûáåðèòå òàêò, ñ êîòîðûì Âû æåëàåòå
ñèíõðîíèçèðîâàòü ýôôåêò.
Íàæìèòå êíîïêó òàêòà (1/4, 1/2, 3/4, 1/1, 2/1 èëè 4/1);
âûáðàííàÿ êíîïêà çàãîðèòñÿ.
Êíîïêà ÒÀÐ
Âû ìîæåòå ââîäèòü ÂÐÌ âðó÷íóþ, íàñòðàèâàÿ òàêòû
(÷åòâåðòíûå íîòû) è íàæèìàÿ ýòó êíîïêó äâà ðàçà èëè áîëüøå.
Ðåãóëÿòîð MIX
Ñëóæèò äëÿ íàñòðîéêè áàëàíñà ìåæäó
èñõîäíûì çâóêîì è ýôôåêòàìè.
Ðåãóëÿòîð DEPTH
Ñëóæèò äëÿ íàñòðîéêè ïàðàìåòðîâ
êàæäîãî ýôôåêòà.
Ðåãóëÿòîð TIME/BPM
Óñòàíîâèòå æåëàåìîå âðåìÿ ýôôåêòà, êàê â ïóíêòå 4.
Ïîâåðíèòå ðåãóëÿòîð TIME/BPM, óäåðæèâàÿ íàæàòîé êíîïêó
TAP/SHIFT, äëÿ îñóùåñòâëåíèÿ íàñòðîéêè ÂÐÌ. Êîãäà
óäåðæèâàåòñÿ íàæàòîé òàêæå êíîïêà BPM MODE, çíà÷åíèå
ÂÐÌ ìîæåò íàñòðàèâàòüñÿ ñ øàãîì â 0,1.
ÍÀÑÒÐÎÉÊÀ ÂÕÎÄÍÎÃÎ ÓÐÎÂÍß
Ïðè ïîñòóïëåíèè ñèãíàëîâ íà âõîäíîé ðàçúåì
óñòàíîâèòå ðåãóëÿòîð INPUT LEVEL â ïîëîæåíèå,
ñðàçó ïîñëå êîòîðîãî çàãîðàåòñÿ èíäèêàòîð
"OVER" (êðàñíûé).
OVER
INPUT LEVEL
MIN
MAX
MIX
ORIGINAL
EFFECT
DEPTH
BEAT
EFFECTS
MONITOR
MIN
MIN
MAX
MAX
OFF
ON
ON
LOCK
--
--
+6dB
+6dB
+6dB
ISOLATOR
LOW
MID
HI
mSec
AUTO
TAP
MIDI
BPM
EFFECT TIME
BPM COUNTER
DELAY
ECHO
PAN
FLANGER
LOW
MID
HI
TRANS
EFFECT FREQUENCY
OFF
ON
ON
LOCK
BPM
MODE
TAP / SHIFT
TIME/ BPM
B E
A T E F F E C T
S
1/1
2/1
4/1
3/4
1/2
1/4
--
ÊÐÀÒÊÎÅ ÐÓÊÎÂÎÄÑÒÂÎ ÏÎ ÝÊÑÏËÓÀÒÀÖÈÈ
ISOLATOR lever
Äèñïëåé EFFECT TIME
Ñ÷åò÷èê ÂÐÌ
Èíäèêàòîðû ðåæèìà èçìåðåíèÿ
ÂÐÌ
5. Íàëîæèòå âûáðàííûé ýôôåêò.
Ïîòÿíèòå ðû÷àã íà ñåáÿ (ïîëîæåíèå ON) äëÿ âêëþ÷åíèÿ
ôóíêöèè; îòïóñòèòå åãî è âåðíèòå â öåíòðàëüíîå ïîëîæåíèå
(ïîëîæåíèå OFF). Â öåíòðàëüíîì ïîëîæåíèè (ïîëîæåíèå
OFF) èñõîäíûé çâóê íå ìåíÿåòñÿ. Íàæìèòå íà ðû÷àã îò ñåáÿ
äëÿ åãî ôèêñàöèè, ÷òîáû òàêòîâûé ýôôåêò ðàáîòàë è ïîñëå
òîãî, êàê ðû÷àã áóäåò îòïóùåí.
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5
ÍÀÑÒÐÎÉÊÀ ÓÐÎÂÍß
ÝÔÔÅÊÒÀ
Óñòàíîâèòå ðåãóëÿòîð EFFECT OUT LEV â
ïîëîæåíèå, ñðàçó ïîñëå êîòîðîãî çàãîðàåòñÿ
èíäèêàòîð "OVER" (êðàñíûé).
1. Âûáåðèòå æåëàåìûé ýôôåêò.
Íàæìèòå æåëàåìóþ êíîïêó ýôôåêòà: JET, ZIP, WAH,
RING èëè FUZZ. Íàæàòàÿ êíîïêà íà÷íåò ìèãàòü.
2. Íàëîæèòå âûáðàííûé ýôôåêò.
Ïîâåðíèòå ðåãóëÿòîð ëèáî íàæèìàÿ íà ðû÷àã íà ñåáÿ,
ëèáî íàæèìàÿ íà íåãî îò ñåáÿ (ïîëîæåíèå ON). Ïî ìåðå
âðàùåíèÿ ðåãóëÿòîðà çíà÷åíèÿ ïàðàìåòðîâ ìåíÿþòñÿ, è
íàêëàäûâàåòñÿ âûáðàííûé ýôôåêò. Êîãäà âðàùåíèå
ðåãóëÿòîðà îñòàíîâëåíî, ïàðàìåòðó âîçâðàùàåòñÿ
èñõîäíîå çíà÷åíèå.
Åñëè Âû îòïóñòèòå ðû÷àã ïîñëå òîãî, êàê ïîòÿíóëè åãî
íà ñåáÿ, îí àâòîìàòè÷åñêè âåðíåòñÿ â öåíòðàëüíîå
ïîëîæåíèå (ïîëîæåíèå OFF).
Êíîïêà HOLD
Êîãäà êíîïêà íàæàòà è ãîðèò, ýôôåêò ñîõðàíÿåòñÿ è ïîñëå
îñòàíîâêè ðåãóëÿòîðà.
Êíîïêà Ïàìÿòü (Ì)/Êíîïêà PLAY
Óäåðæèâàÿ íàæàòîé êíîïêó Ì (Ïàìÿòü) âî âðåìÿ
ýêñïëóàòàöèè ðåãóëÿòîðà, Âû ìîæåòå ñîõðàíÿòü â ïàìÿòè äî
8 ñåêóíä ðàáîòû ðåãóëÿòîðà. Ðàáîòà ðåãóëÿòîðà,
ñîõðàíåííàÿ â ïàìÿòè, ìîæåò áûòü âûçâàíà íàæàòèåì
êíîïêè PLAY.
Ðåãóëÿòîð DEPTH
Ñëóæèò äëÿ íàñòðîéêè ïàðàìåòðîâ êàæäîãî ýôôåêòà. (ñì.
ñòð. 7, 16)
Ñ×ÅÒ×ÈÊ ÖÈÔÐÎÂÎÃÎ ÐÅÃÓËßÒÎÐÀ ÏÐÅÐÛÂÀÍÈß
Ïîêàçûâàåò êîëè÷åñòâî äåéñòâèé, âûïîëíåííûõ ïðè ïîìîùè
ðåãóëÿòîðà (ñì. ñòð. 16).
ÈÑÏÎËÜÇÎÂÀÍÈÅ ÖÈÔÐÎÂÎÃÎ
ÐÅÃÓËßÒÎÐÀ ÏÐÅÐÛÂÀÍÈß
OVER
EFFECT OUT LEV
MIN
MAX
OFF
ON
ON
LOCK
100
0
80
10
60
20
40
30
20
40
0
50
20
60
40
70
60
80
80
90
100
100
DIGITAL JOG BREAK METER
JET
JOG MEMORY
ZIP
WAH
RING
FUZZ
DEPTH
DIGITAL
JOG BREAK
MIN
MAX
M
PLAY
HOLD
D
I G
I T A
L J O G B R
E A
K
OVER
INPUT LEVEL
MIN
MAX
MIX
ORIGINAL
EFFECT
DEPTH
BEAT
EFFECTS
DIGITAL
JOG BREAK
MONITOR
MIN
MIN
MAX
MAX
OVER
EFFECT OUT LEV
MIN
MAX
OFF
ON
ON
LOCK
OFF
ON
ON
LOCK
--
--
--
+6dB
+6dB
+6dB
ISOLATOR
LOW
MID
HI
mSec
AUTO
TAP
MIDI
BPM
EFFECT TIME
BPM COUNTER
100
0
80
10
60
20
40
30
20
40
0
50
20
60
40
70
60
80
80
90
100
100
DIGITAL JOG BREAK METER
DELAY
ECHO
PAN
FLANGER
LOW
MID
HI
TRANS
JET
ZIP
WAH
RING
FUZZ
EFFECT FREQUENCY
DEPTH
MIN
MAX
JOG MEMORY
M
PLAY
HOLD
OFF
ON
ON
LOCK
D
I G
I T A
L J O G B R
E A
K
BPM
MODE
TAP / SHIFT
TIME/ BPM
B E
A T E F F E C T S
1/1
2/1
4/1
3/4
1/2
1/4
ÊÐÀÒÊÎÅ ÐÓÊÎÂÎÄÑÒÂÎ ÏÎ ÝÊÑÏËÓÀÒÀÖÈÈ

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